March 9, 2011
That time has come! April, 2011 brings OLMSTED AND AMERICA’S URBAN PARKS (formerly “The Olmsted Legacy”) to a television station near you, via American Public Television. Check your local listings for details, but below, a list.
|Albany-Schenectady||WMHT||April 20, 10 p.m.|
|Albuquerque||KNMD||April 24, 6 p.m.|
|Atlanta||WPBA||April 23, 7 p.m.|
|Baltimore||MPT2||April 21, 11 p.m.|
|Birmingham||WBIQ||April 21, 9 p.m.|
|Charlotte||WTVI||April 20, 11 p.m.|
|UNC-TV||April 28, 10 p.m.|
|Chattanooga||WTCI||April 18, 10:30 p.m.|
|Fort Myers||WGCU||April 20, 10 p.m.|
|Fresno||KVPT||April 19, 9 p.m.|
|Grand Rapids||WGVU||April 24, 4 p.m.|
|April 26, 2 a.m.|
|Greensboro||UNC-TV||April 28, 10 p.m.|
|Greenville-Spartansburg||UNC-TV||April 28, 10 p.m.|
|Jacksonville||WJCT||April 19, 9 p.m.|
|Las Vegas||KLVX||April 20, 10 p.m.|
|Los Angeles||KVCR||April 19, 8 p.m.|
|Miami||WPBT||April 20, 10 p.m.|
|New Orleans||WLAE||April 18, 10 p.m.|
|New York||WNET||April 20, 10 p.m.|
|WLIW||April 22, 2 p.m.|
|Pensacola||WSRE||April 20, 9 p.m.|
|Pittsburgh||MPT2||April 21, 11 p.m.|
|Plattsburgh||Mtn Lake PBS||April 21, 9 p.m.|
|Portland||KOPB||April 29, 10 p.m.|
|KOPB Plus||April 24, 8 p.m.|
|Providence||RIPBS||April 27, 9 p.m.|
|LEARN Ch.||Date TBD|
|Raleigh-Durham||UNC-TV||April 28, 10 p.m.|
|Reno||KNPB||April 19, 9 p.m.|
|Salt Lake City||KUEN||Date TBD|
|San Francisco||KQED||April 24, 2 p.m.|
|South Bend-Elkhart||WNIT||April 20, 10 p.m.|
|Tallahassee||WFSU||April 21, 10 p.m.|
|Tampa||WEDU||April 21, 10 p.m.|
|April 26, 6 p.m.|
|Washington DC||MPT2||April 21, 11 p.m.|
December 12, 2010
October 19, 2010
The park for San Francisco that Olmsted designed, however, was multi-faceted, featuring a smaller park in the wind-protected valley of the undeveloped Buena Vista Hill (modern day Hayes Valley), and a 4-mile promenade that ran along Market Street, before turning the corner and continuing up Van Ness Avenue to the bay. Olmsted thought the promenade should be lined with dry weather plants, and sunken underground, to protect pedestrians from the harsh east-west winds. City leaders thanked him for his time, paid him his $500 consulting fee, and ultimately decided that the idea was too radical, too far-sighted to be implemented.
Golden Gate Park, the “Central Park” that city leaders were looking for, was designed by William Hammond Hall on an epic stretch of land that Olmsted deemed too windy to be considered.
Join us TONIGHT for a screening of THE OLMSTED LEGACY at the deYoung Museum in Golden Gate Park.
The screening is FREE, and will feature a Q&A with writer/producer Rebecca Messner, and remarks by Elizabeth Goldstein, president of the California State Parks Foundation. Many thanks to the San Francisco Parks Trust for their help with this event!
August 17, 2010
Stop by the Dairy in Central Park to catch The Olmsted Legacy, playing on loop, starting today!
[photo via the Central Park Conservancy]
The Dairy, intended by Calvert Vaux to be built as a refreshment stand for children, was meant to sell fresh milk at low prices, during a time when most of the milk in New York made citizens sick. “Swill milk,” as it was called, was taken from cows who were fed old mash leftover from the beer making process, at a time when the production and sale of milk in New York was not regulated.
Olmsted and Vaux, as a result, hoped to include fresh milk in their park as a kind of alleviating alternative to the other tainted options, and even designed a place for cows to graze and be milked in the vicinity of the Dairy.
The structure, however, underwent a significant transformation during the Tweed administration, and by the time construction was completed, there were no cows to be found. Olmsted’s sheltering vegetation was uprooted, and a carriage lot was constructed for the introduction of a restaurant for middle-class New Yorkers, which is how the space was used until the 1950s, when the building was virtually abandoned.
Today, the Central Park Conservancy’s brilliant restoration of the building now houses the park’s visitor center and gift shop. Still a far cry from Vaux’s original intention, but undeniably more useful for today’s park-goers than a lot full of cows!
The Dairy is open Monday-Sunday, 10am to 5pm, and will be continuously playing The Olmsted Legacy, beginning today. A great way to stay cool in these last days of summer.
City blogs are abuzz about this website that’s showcasing one foundation’s proposal to turn Manhattan’s verdant gem (which they call “New York City’s largest remaining undeveloped parcel of land”) into…
I was sent the site by a friend, and for a few gullible moments, before Google and some reputable blogs proved me otherwise, I was at once terrified and outraged, almost to the point of tears.
Rest assured, the site’s believed to be a fake, as is the foundation, called “The Manhattan Airport Foundation,” which, among other giveaway clues, has its offices at 233 Broadway, on the 58th floor of a building that has only 57.
What was especially clever of “The Manhattan Airport Foundation” is their inclusion of an “interview” with Dr. Harriet Worth, who claims to be the 5th generation grand-niece of Frederick Law Olmsted himself, and is supposedly visiting-chair of the Environmental Studies Graduate Department at HKI (what’s HKI? Hong Kong Institute? It’s unclear.).
The article is titled “What Would Olmstead [sic] Do? Ancestor Sheds Some Light.” “Worth” for the most part begins with a few accurate snippets about her great uncle x5’s urban theories:
“Part of the reason Olmsted is regarded as a visionary is that he was a master of illusion. His outdoor spaces seem to exist so naturally as to give the impression of predating the surrounding environs. Of course those familiar with his designs know each is a highly-curated, carefully-designed sleight of hand. The rock outcroppings, the reservoir, all of it man-made.”
Of course the reservoir was man-made. It’s a reservoir. Anyway, let’s not get finicky.
She goes on, however, to insist that green space in Manhattan, what with High Line park and all those “urban greenways” has become overly abundant, and now should be trumped by “improved access to transportation, creation of jobs for our skilled workforce, and the need to address myriad environmental wrongdoings.”
What would Olmsted say about the Manhattan Airport? Here’s the best part:
“Olmsted was no sentimentalist. He was nothing if not a pragmatist. For him Manhattan Airport would be that all-so-rare second chance to finally realize his original vision and intent… He would see this project as a bold opportunity to rise above the dated 19th century concept of catharsis-via-nature: The chance to finally realize his goal of an unparalleled urban oasis fostering the type of transformative experience that only a mixed-use international transportation hub can provide.”
Besides the fact that one of Olmsted’s firmest beliefs lay in the fact that catharsis-via-nature is a timeless concept, his biggest pet peeve was with people who viewed park land as “undeveloped space.” Clever interview, but I like to think the idea would give him hives, like it did me.
In any case, we thought we’d pinned down every last descendant of FLO’s. Maybe we missed this one, being that she’s on the other side of the world. We’ll ask around. Funny, though, Google “Dr. Harriet Worth,” and you’ll be directed to Harriet Worth’s IMBD page, where you’ll learn that she was second assistant director of the 2008 movie “Doomsday.” Appropriate.
The New York Times brings news today about an evening in the park gone very nearly perfectly right.
It was 6:15 on Tuesday evening, a breezy, golden 77 degrees, and people were streaming into the park with plastic bags of picnic food, like pilgrims bearing offerings, for one of the city’s great summer rites: At 8 p.m., on the grassy oval ringed by oaks, skyscrapers and the almost-too-cute turrets of Belvedere Castle, the New York Philharmonic would start to play. Free.
“It’s really relaxing — and almost therapeutic in a certain kind of way when you’re out running around and having people bump into you in the subway — to have this music under the stars,” Mr. Nerio said. “It almost sounds cheesy, but it’s perfect.”
Olmsted could not have said it better himself:
“Is it doubtful that it does men good to come together in this way in pure air and under the light of heaven, or that it must have an influence directly counteractive to that of the ordinary hard, hustling working hours of town life?”
– Frederick Law Olmsted, in his 1870 essay,
“Public Parks and the Enlargement of Towns”
July 10, 2009
When you ask Sara Cedar Miller what her favorite part of Central Park is, she responds:
“OK. Pretend I have ten children. You’re really going to ask me which one’s my favorite?”
Her relationship with the park really is like that of a mother and child–Miller, fresh out of art school in 1984, joined the Central Park Conservancy in its infancy, as park photographer. Since then, she’s watched the park “grow up” into the beautiful urban oasis it’s become, and she knows the place as well as she would her own children.
“Oh, they’ve gotten so big,” she croons passing a family of ducklings waddling along the banks of The Lake, as we make our way towards a quiet clearing in the Ramble across from Bethesda Fountain.
It was our last day of our East Coast Tour, and Miller seemed to be the perfect voice to close our long series of interviews. Today she also acts as the Conservancy’s official historian, a position she acquired in 1989. She has photographed and written about the park for two beautiful books: Central Park, An American Masterpiece, and Seeing Central Park. Poised and passionate, her face instinctively brightens when she talks about Central Park, often leaning in, treating the subject like it’s this incredible, fascinating secret she just can’t wait to let you in on.
Which isn’t to say she’s not full of incredible, fascinating secrets. She’s an adamant Vaux supporter, and won’t hesitate to let you know that the credit Olmsted gets for Central Park, though deserved, is not entirely fair. “The story of Central Park,” she says, “is really a story about Calvert Vaux getting Frederick Law Olmsted to join him in the design competition. Olmsted said no at first.”
The Greensward Plan that Vaux eventually convinced Olmsted to complete with him is what she calls “a beautiful and very simple tapestry.” Vaux, she says, “really had the aesthetic and practical senses that Olmsted lacked. Vaux was very enamoured of the rough and wild Hudson River Valley,” where he had worked with his partner, Andrew Jackson Downing, designing estates for the well-to-do. “Olmsted loved the rolling hills of England. It was the melding of all these kinds of styles that was really a new style.”
Why does Olmsted receive all the credit, then? “He was the writer,” she says.
She’ll also tell you about how Robert Dylan, Central Park commissioner, and August Belmont, influential businessman and avid equestrian (for whom Belmont race track in Long Island is named), made a list of 17 changes to the Greensward Plan the day after it won the design competition. One of these proposed changes included a bridge that would allow people to transverse The Lake, walking easily from Bethesda Terrace to the Ramble. This turned into Bow Bridge, one of the most iconic images of the park today.
What would New York be without Central Park? We ask her. “New York would not be New York without Central Park.”
And who would she be without it? She smiles, her eyes moisten. “It’s my life’s work. It would be like not having an arm or a leg.”
Sara Cedar Miller, historian and photographer for the Central Park Conservancy, and author of the beautiful books Central Park: An American Masterpiece and Seeing Central Park once candidly called Doug Blonsky the Frederick Law Olmsted of today.
Blonsky is president of the Central Park Conservancy, as well as Chief of Operations of Central Park, which means he’s not only the leader of the organization that raises 85% of the park’s $27 million annual budget, but he manages a staff of over 250, and about 3,000 volunteers. Olmsted, in addition to creating the spectacular design for the park, was also superintendent, and later architect-in-chief of the park. A landscape architect by training, Blonsky calls Central Park “the soul of New York City,” and laughingly shrugged off Miller’s admiring comparison.
Shortly after 9/11, he said, “The park was the cathedral, it was the church, it was the temple,” going on to describe the masses of people who came out to the park.
He also did not hesitate to bring up one of Olmsted’s most convincing arguments for supporting urban parks. “A lot of people don’t stop to think about how important Central Park is for the economy,” he said, referencing the Central Park Effect, a report commissioned by the Conservancy in May, 2008, which estimated that visitors to the park generated $80 million in spending outside the park in 2007. “Real estate values,” he added, “quadruple within a 10-minute walk of the park.” Appleseed, the economic development consultants who released the report, posted an interesting article on how Central Park responded to the recession on their blog.